Dunya

A graphic illustration of a red alligator with a long snout, black eyes, and a jagged tail, traveling on a black background.
A stylized red and black illustration of a dinosaur with a long neck and tail, and a round body, lying down.

Creative Direction · Creative Strategy · Content Production · Copywriting

A cartoon figure in black with a large round head and a round body is lying on the ground with a red trail behind them, resembling a streak or a car crash scene.

One mission. One ambition: to become the McDonald's of shawarma.

Not through scale, not yet. Through the kind of creative direction that builds cult followings, cultural relevance, and a brand people belong to. No clichés. No nostalgia. No predictable visual language borrowed from a category that's been telling the same story for decades.

I’ve worn multiple hats on this project: Creative Director, strategist, filmmaker, photographer, copywriter, and community manager. Concept to camera to community. Every campaign, every frame, every caption built around one founding principle: we're not here to sell you anything. We have art to share, affordable food, and a vibe worth coming back to.

What follows is a year of that work.

The Feed

Strategy

The brand was built on five pillars: freshness, generosity, family, sun, and brightness. Not as abstract values, as visual and tonal directions that show up in every wardrobe choice, set design decision, graphic treatment, and caption.

The casting brief was deliberate: diverse, real, aspirational without being alienating. Not the expected Lebanese restaurant look. People who look like Dunya's actual customers and the customers Dunya wants to attract.

The content strategy followed one founding rule: never sell directly. Build desire through the quality of what you put into the world. No promotional mechanics, no discount-led content, no hard CTAs. Just a brand consistently showing up with something worth looking at.

Zero paid spend was never a budget limitation. It was the strategy.

Two reasons. First, the kitchen needed time. Recipe development at Dunya is ongoing and unhurried, and a brand growing faster than its product could keep pace with is a brand setting itself up to disappoint. Slow, organic growth let the food stay ahead of the following.

Second, the best version of a cult brand isn't one that announces itself, it's one that feels discovered. Paid reach buys attention. It can't buy the feeling of being in on something before everyone else is. That feeling was the entire point.

Every follower Dunya has today found it, rather than being shown it. That's a harder brand to build. It's also a much harder one to fake.

Dates Like This

Campaign

Format: Video · Duration: 0.38 · Views: 8,408 · Accounts reached: 6,434 · Watch time: 13h 21m 55s

For this campaign with Dunya, the goal was never just to showcase food. It was to capture a feeling. We approached food as an emotional atmosphere rather than product placement, creating the kind of date where time slows down, intimate, playful, and deeply familiar. A place where conversation drifts effortlessly between laughter, flirtation, and comfortable silence.

Set inside the intimacy of a parked car, the film follows two people completely lost in each other’s company, sharing a meal as naturally as they share a moment.

Instead of forcing narrative beats, the film lives inside small details: smiles between sentences, hands reaching for shared food, lingering eye contact. The camera becomes a quiet observer to chemistry unfolding in real time.

The intention was to create longing, not just for the meal, but for the experience surrounding it. A reminder of those dates where conversation feels endless and closeness feels effortless.

We wanted the audience to crave more than the shawarma. We wanted them to miss a certain kind of connection. The warmth of stolen glances, a shared meal, and conversations you never want to end.

Red question mark with a black background.

Weather As The Brief

Campaign strategy and production

Weather forecast for Montreal showing rain and temperature of 20°C, feels like 17°C, with a 10-day outlook including rain, sun, and cloudy days.

Format: Mixed Media · Total Views: 46,105 · Accounts Reached: 15,857 · Total Likes: 470 · Total Shares: 68

Montreal doesn't really have mild weather. It has extremes, brutal winters, summers that swing between blistering heat or long-winded rain stints, and almost no in-between. Rather than working around that, the strategy leaned directly into it, letting Montreal's own forecast become the trigger for the content itself.

Two formats, two different weather conditions, one consistent idea. On the hottest days, "It's Hot, Isn't It?" close up shots of models sweating, cut away to an equally close up shot of a soft serve or an ice cold glass of iced tea, the kind of shot that cools you down just looking at it. On the rainy days, the opposite move, an iPhone weather app graphic, every day marked with a Dunya shawarma instead of a weather icon, except the days the restaurant is closed. The message underneath both, whatever the sky is doing, Dunya is still ritual. Rain or shine, hot or cold, it's a Dunya day.

Red and black abstract art with a speech bubble design.

Would You Date Dunya?

Campaign

Tray with French fries, falafel balls, pickles, radish, garlic sauce, and tomato sauce; bowl of iced tea; wrapped pita; green and yellow sauces; menu on the table.
Close-up of a wrap sandwich with grilled flatbread, filled with sliced tomatoes, cooked meat, chopped onions, and fresh herbs, on branded paper.
Text image with humorous descriptions about dating and meal roles, titled 'Two truths & one lie'.

Format: Digital Carousel · Views: 29,457 · Accounts reached: 6,628 · second most shared content in account’s history

Not as a gimmick but rather as a genuine exercise in brand personality. What would Dunya say about itself if it had to sell itself the way a person sells themselves, with charm, wit, and just enough mystery to win your interest?

The result was a carousel built entirely around the Hinge profile format. Verified. Lebanese. 6 inches. One location. Two truths and a lie. And the closer: if things go well, I will introduce you to Baba Ghannouj. The word cut off just enough that it reads as Baba first. Father second. Mezze third.

The copy did all the work. The format did the rest. No production budget. No paid spend. Just a sharp idea executed with a deep understanding of the brand's voice.

A stylized artistic illustration of a red question mark with a speech bubble tail, set against a black background.

Dunya, A Love Language

Campaign

A plate of falafel balls topped with sesame seeds, accompanied by pickles, fresh herbs, and a dollop of white sauce, with a hand reaching to grab a falafel
A partially eaten burrito wrapped in branded paper on a white surface. Three running woman emojis are at the bottom.
Text message conversation with blue and gray chat bubbles. The blue message asks, 'Babe, shawarma chicken or beef?' The gray reply says, '... why OR?' The blue response says, 'Haha I love you.'

Format: Graphics · Views: 96,078 · Accounts reached: 10,396 · Most saved and shared work

Every couple has a shorthand. The text that means more than it says.

The campaign was built around that idea through three conversations, three completely different jokes, one consistent thread: Dunya as the thing that lives inside a relationship's private language.

Not the gift. Not the grand gesture. The small, ordinary fluency two people build over time. Knowing what someone means before they finish typing it, knowing an excuse is really an invitation, knowing exactly how they take their order without having to ask.

Dunya became the language itself: specific enough to feel real, light enough to make you laugh, familiar enough that it could have been your own thread.

That familiarity is exactly what made it travel. No production, no media spend. The copy had to be just familiar, simple, and specific enough to feel overheard. It went on to become the account's most viewed, saved, and shared campaign to date.

Red pencil tilted at an angle on a white background.

Feeling Peckish?

Campaign

Open refrigerator with various fruits, eggs, herbs, condiments, and a person holding a bowl of mashed potatoes or a creamy dish in front of the door.
Inside a refrigerator, a person is stacking four containers of food, each with different colors and contents, with a hand supporting the bottom container. There are additional food items in the fridge, including a jar of cherries and canned goods.
Open refrigerator door showing stacked containers of colorful salads and meals, with various condiments and vegetables visible inside.

Format: Photo carousel · Views: 27,447 · Accounts reached: 5512

The honest truth about Dunya's deli products: they're perfect for the precise moment when you're standing in front of the fridge at midnight trying to make a decision you won't regret. Midnight Cravings placed Dunya products in that exact moment. Unapologetically cheeky, knowing, shot in the intimate light of a home kitchen. It tapped into a behaviour customers already had and celebrated it.

Red abstract ribbon shape on a black background.

The Results


12 months. One location. Zero paid spend. An 113% increase in followers, over half a million views, and a brand that people in Montreal, and increasingly beyond, genuinely belong to. The numbers confirm what the strategy was designed to create: not an audience, a tribe.

Creative Direction · Creative Strategy · Content Strategy · Social Media Strategy · Film Production · Photography · Copywriting · Community Management
Green and yellow sign hanging on a street corner with the name 'du-pizza' in large cursive letters. The sign includes the address 'NO.2 RUE SHERBROOKE EST, MONTREAL QUEBEC' and phone number '514.845.9006'.
Green and yellow sign hanging on a street corner with the name 'du-pizza' in large cursive letters. The sign includes the address 'NO.2 RUE SHERBROOKE EST, MONTREAL QUEBEC' and phone number '514.845.9006'.
Red logo with stylized cursive text reading 'Bing's' and a small accent over the 'i'.

This is what building from zero looks like when nobody cuts corners. If your brand needs that kind of ownership, let's talk contact@adagio.film or WhatsApp me!